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Dubbing studioDubbing, mixing, or re-recording is a process used in and in which additional or supplementary recordings are 'mixed' with original production sound to create the finished soundtrack.The process usually takes place on a dub stage. After sound editors edit and prepare all the necessary tracks – dialogue, automated dialogue replacement (ADR), effects, music – the dubbing mixers proceed to balance all of the elements and record the finished soundtrack. Dubbing is sometimes confused with ADRalso known as 'additional dialogue replacement'automated dialogue recording' and 'looping', in which the original re-record and synchronize audio segments.Outside the film industry, the term 'dubbing' commonly refers to the replacement of the actor's voices with those of different performers speaking another language, which is called 'revoicing' in the film industry. This section does not any. Unsourced material may be challenged. ( June 2019) In the pastdubbing was practiced primarily in when the actor had an unsatisfactory singing voice. Today, dubbing enables the screening of material to a mass audience in countries where viewers do not speak the same language as the performers in the original production.

Films, and sometimes are often dubbed into the local of a foreign market. In foreign distribution, dubbing is common in theatrically released films,. Methods ADR/post-sync Automated Dialog Replacement ( ADR) is the process of re-recording dialogue by the original actor after the filming process to improve audio quality or reflect dialogue changes (also known as 'looping' or a 'looping session'). In the process is simply known as 'dubbing', while in the, it is also called 'post-synchronisation' or 'post-sync'.

This section does not any. Unsourced material may be challenged. ( January 2011) Dub localization Dub localization, also often simply referred to as, is the practice of that alters a or from one reigon of the world to the local language of another.The new voice track is usually spoken by a. In many countries, actors who regularly perform this duty remain little-known, with the exception of particular circles (such as anime ) or when their voices have become synonymous with roles or actors whose voices they usually dub. In the United States, many of these voice artists may employ pseudonyms or go uncredited due to regulations or the desire to dissociate themselves from the role.

Dub localization is a contentious issue in amongst aficionados of foreign and, particularly fans. While some localization is virtually inevitable in translation, the controversy surrounding how much localization is 'too much' is often discussed in such communities, especially when the final dub product is significantly different from the original.

Some fans frown on any extensive localization, while others expect it, and to varying degrees, appreciate it.Europe. This section needs additional citations for. Unsourced material may be challenged and removed.Find sources: – ( August 2013) China China has a long tradition of dubbing foreign films into, starting in the 1930s. While during the era Western motion pictures may have been imported and dubbed into Chinese, since 1950, dubbed primarily in Shanghai, became the main import. Beginning in the late 1970s, in addition to films, popular TV series from the United States, Japan, Brazil, and Mexico were also dubbed. The Film Dubbing Studio has been the most well-known studio in the film dubbing industry in China.

In order to generate high-quality products, they divide each film into short segments, each one lasting only a few minutes, and then work on the segments one-by-one. In addition to the correct meaning in translation, they make tremendous effort to match the lips of the actors to the dialogue. As a result, the dubbing in these films generally is not readily detected. The cast of dubbers is acknowledged at the end of a dubbed film. Several dubbing actors and actresses of the Shanghai Film Dubbing Studio have become well-known celebrities, such as Qiu Yuefeng, Bi Ke, Li Zi, and Liu Guangning. In recent years, however, especially in the larger cities on the east and south coasts, it has become increasingly common for movie theaters to show subtitled versions with the original soundtracks intact.Motion pictures are also dubbed into the languages of some of China's. Notably, the Translation Department of the Movie Company (西藏自治区电影公司译制科) has been dubbing movies into the since the 1960s.

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In the early decades, it would dub 25 to 30 movies each year, the number rising to 60-75 by the early 2010s.Motion pictures are dubbed for China's and markets as well. Taiwan dubs some foreign films and TV series in Mandarin Chinese.

Until the mid-1990s, the major national both dubbed and subtitled all foreign programs and films and, for some popular programs, the original voices were offered in. Gradually, however, both terrestrial and cable channels stopped dubbing for U.S. Shows and films, while subtitling continued.In the 2000s, the dubbing practice has differed depending on the nature and origin of the program. Animations, children's shows and some educational programs on PTS are mostly dubbed. English live-action movies and shows are not dubbed in theaters or on television. Japanese TV dramas are no longer dubbed, while dramas, dramas and dramas from other Asian countries are still often dubbed.

Korean variety shows are not dubbed. Japanese and Korean films on Asian movie channels are still dubbed. In theaters, most foreign films are not dubbed, while animated films and some films meant for children offer a dubbed version. Hong Kong live-action films have a long tradition of being dubbed into Mandarin, while more famous films offer a version.Hong Kong In, foreign television programmes, except for English-language and Mandarin television programmes, are dubbed in Cantonese. English-language and Mandarin programmes are generally shown in their original with subtitles.

Foreign films, such as most live-action and animated films (such as anime and Disney), are usually dubbed in Cantonese. However most cinemas also offer subtitled versions of English-language films.For the most part, foreign films and TV programmes, both live-action and animated, are generally dubbed in both Mandarin and Cantonese. For example, in film series, Elijah Wood's character was dubbed into Mandarin by for China and Taiwan. For the Cantonese localization, there were actually two dubs for Hong Kong. The first Cantonese dub, he was voiced by Leung Wai Tak, with a second Cantonese dub released, he was voiced by Bosco Tang.A list for Mandarin and Cantonese voice artists that dub for actors are shown here.Mandarin Chinese dubbing artistsActor(s)/Actress(es)NotesCantonese Chinese dubbing artistsActor(s)/Actress(es)NotesDubbed for Wood as in the 2005 version of.Dubbed for Wood as in the 2010 version of.Israel In, only children's movies and TV programming are dubbed in. In programs aimed at teenagers and adults, dubbing is rarely considered for translation, not only because of its high costs, but also because the audience is mainly multi-lingual. Most viewers in Israel speak at least one European language in addition to Hebrew, and a large part of the audience also speaks.

Therefore, most viewers prefer to hear the original soundtrack, aided by Hebrew subtitles. Another problem is that dubbing does not allow for translation into two different languages simultaneously, as is often the case of Israeli television channels that use subtitles in Hebrew and another language (like ) simultaneously.Japan In Japan, many television programs appear on Japanese television subtitled or dubbed if they are intended for children. When the American film was released in Japan in 1931, subtitles became the mainstream method of translating TV programs and films in Japan. Later, around the 1950s, foreign television programs and films began to be shown dubbed in on television. The first ones to be dubbed into Japanese were in 1955.Due to the lack of video software for domestic television, video software was imported from abroad.

When the television program was shown on television, it was mostly dubbed. There was a character limit for a small TV screen at a lower resolution, and this method was not suitable for the poor elderly and illiterate eye, as was audio dubbing. Presently, TV shows and movies (both those aimed at all ages and adults-only) are shown dubbed with the original language and Japanese subtitles, while providing the original language option when the same film is released on,. Laserdisc releases of Hollywood films were almost always subtitled.Adult cartoons such as, and are shown dubbed in Japanese on the TV channel. Was dubbed in Japanese by different actors instead of the same Japanese dubbing-actors from the cartoon because it was handled by a different Japanese dubbing studio, and it was marketed for the market. In Japanese theaters, foreign-language movies, except those intended for children, are usually shown in their original version with Japanese subtitles. Foreign films usually contain multiple Japanese-dubbing versions, but with several different original Japanese-dubbing voice actors, depending upon which TV station they are aired., and usually follow this practice, as do software releases on,.

As for recent foreign films being released, there are now some film theaters in Japan that show both dubbed and subtitled editions.On 22 June 2009, 's Japanese division has opened up a lineup known as 'Emperor of Dubbing', dedicated at having multiple Japanese dubs of popular English-language films (mostly Hollywood films) as well as retaining the original scripts, releasing them altogether in special Blu-Ray releases. These also feature a new dub created exclusively for that release as a director's cut, or a new dub made with a better surround sound mix to match that of the original English mix (as most older Japanese dubbings were made on mono mixes to be aired on TV). Other companies have followed practice, like Universal Pictures's Japanese division opening up 'Reprint of Memories', along with having 'Power of Dubbing', which act in a similar way by re-packaging all the multiple Japanese dubs of popular films and putting them out as Special Blu-ray releases.' A group of Iranian dubbing artistsIn, foreign films and television programs are dubbed in.

Dubbing began in 1946 with the advent of movies and cinemas in the country. Since then, foreign movies have always been dubbed for the cinema and TV. Using various voice actors and adding local hints and witticisms to the original contents, dubbing played a major role in attracting people to the cinemas and developing an interest in other cultures. The dubbing art in Iran reached its apex during the 1960s and 1970s with the inflow of American, European and Hindi movies.The most famous musicals of the time, such as and, were translated, adjusted and performed in Persian by the voice artists. Since the 1990s, for political reasons and under pressure from the state, the dubbing industry has declined, with movies dubbed only for the state TV channels. During recent years, DVDs with Persian subtitles have found a market among viewers for the same reason, but most people still prefer the Persian-speaking dubbed versions. Recently, privately operated companies started dubbing TV series by hiring famous dubbers.A list of Persian voice actors that associate with their actor counterparts are listed here.Persian dubbing artistsActor(s)/Actress(es)NotesDubbed for Welles as in and dubbed for Brando as inDubbed for Wood as in and dubbed for Radcliffe as in the from 3 to 5.Georgia In, original soundtracks are kept in films and TV series, but with voice-over translation.

There are exceptions, such as some children's cartoons.Azerbaijan In, dubbing is rare, as most Azerbaijani channels such as air or Azerbaijan originals.Africa The Maghreb. This section needs additional citations for. Unsourced material may be challenged and removed.Find sources: – ( August 2013) In and, most foreign movies (especially Hollywood productions) are shown dubbed in French. These movies are usually imported directly from French film distributors. The choice of movies dubbed into French can be explained by the history of colonization of these countries by France and the widespread use of the French language (among the intellectual elite), in addition to the marginalization the two spoken languages, Berber and Darija.

Another important factor is that local theaters and private media companies do not dub in local languages in order to avoid high costs, but also because of the lack of both expertise and demand.Beginning in the 1980s, dubbed series and movies for children in became a popular choice among most TV channels, cinemas and VHS/DVD stores. However, dubbed films are still imported, and dubbing is performed in Arab countries with a strong tradition of dubbing and subtitling (mainly, and ). The evolution of movies targeting the adult audience was different. After the satellite boom in the and the emergence of Pan-Arab channels, the use of subtitles, which was already popular in the, was highly popular among local viewers in Algeria and Morocco.In the Arab world (member states in, and others), only children's films and TV series were dubbed in.

Many different anime titles are dubbed in the Arabic language, as well. Everything else is usually shown in its original language with Arabic subtitles. Recently, The Arabic dubbing industry has boomed, and channels such as, are now offering famous older action films aimed at an older audience dubbed in Arabic to be broadcast on television. Action movies such as, The Lord of the Rings film trilogy and have become some of the first foreign action titles to be dubbed in Arabic, rather than using subtitles, on the channel. However, they can still be watched in their original language with subtitles.There's even a list that showcases Arabic voice actors that dub for certain performers that associate with them.Arabic dubbing artistsActor(s)/Actress(es)NotesSafi MohammedIn, theaters usually show French-dubbed movies, but cinema attendance in the country for such movies is in continuous decline compared to Tunisian and Arab movies. This decline can be traced to the huge popularity of free-to-air movie channels offering primarily subtitled content, and the government's reduced efforts to limit piracy.

Tunisia National Television (TNT), the public broadcaster of Tunisia, is not allowed to show any content in any language other than Arabic, which forces it to broadcast only dubbed content (this restriction was recently removed for commercials). During the 1970s and 1980s, TNT (known as ERTT at the time) started dubbing famous cartoons in Tunisian and Standard Arabic. This move was highly successful locally, but was not able to compete with mainstream dubbing companies (especially in the Middle East). In the private sector, television channels are not subject to the language rule and sometimes broadcast foreign content dubbed into French (excluding children content), although some of them, such as, started adopting subtitling in Arabic instead, which proved to be more popular than simply importing French-dubbed content. – South Africa In, many television programmes were dubbed in, with the original soundtrack (usually in English, but sometimes or ) ' in on. These included US series such as, (Steve Austin: Die Man van Staal) (Misdaad in Miami), and the German detective series.As a result of the by the actors' union, which banned the sale of most British television programmes, the series was dubbed into, as the original voices had been recorded by Equity voice artists.This practice has declined as a result of the reduction of airtime for the language on TV, and the increase of locally produced material in Afrikaans on other channels like. Similarly, many programmes, such as, were dubbed into, but this has also declined as local drama production has increased.

However, some animated films, such as, have been dubbed in both Afrikaans and Zulu by local artists. Uganda Uganda's is fairly small, and foreign movies are commonly watched. The English sound track is often accompanied by the translation and comments, provided by an Ugandan 'video jockey' (VJ). VJ's interpreting and narration may be available in a recorded form or live. Oceania In common with other English-speaking countries, there has traditionally been little dubbing in, with foreign language television programmes and films being shown (usually on ) with subtitles or English dubs produced in other countries. This has also been the case in, but the, launched in 2004, has dubbed animated films into. However, some TV commercials from foreign countries are dubbed, even if the original commercial came from another English-speaking country.Alternatives Subtitles.

This section does not any. Unsourced material may be challenged. ( August 2013) can be used instead of dubbing, as different countries have different traditions regarding the choice between dubbing and subtitling. On with higher translation budgets, the option for both types will often be provided to account for individual preferences; often demand subtitles. For small markets (small language area or films for a select audience), subtitling is more suitable, because it is cheaper.

In the case of films for small children who cannot yet read, or do not read fast enough, dubbing is necessary.In most -speaking countries, dubbing is comparatively rare. In, some programmes need to be comprehensible to speakers of both. This cannot be accomplished with dubbing, so subtitling is much more commonplace—sometimes even with subtitles in multiple languages, with the soundtrack remaining in the original language, usually English. The same applies to certain television shows in, where and are both official languages.In the, and, films and television programmes are shown in the original language (usually English) with subtitles, and only cartoons and children's movies and programs are dubbed, such as the series, and others.

Cinemas usually show both a dubbed version and one with subtitles for this kind of movie, with the subtitled version shown later in the evening.In Portugal, one terrestrial channel, dubbed U.S. Series like into. RTP also transmitted in a dubbed version, but it was poorly received and later re-aired in a subtitled version. Cartoons, on the other hand, are usually dubbed, sometimes by well-known actors, even on TV.

Animated movies are usually released to the cinemas in both subtitled and dubbed versions.In and, terrestrial channels air films and TV series in a dubbed version, as demanded by law. However, those same series can be seen on cable channels at more accessible time-slots in their subtitled version and usually before they are shown on open TV. In contrast, the series The Simpsons is aired in its Mexican Spanish-dubbed version both on terrestrial television and on the cable station Fox, which broadcasts the series for the area. Although the first season of the series appeared with subtitles, this was not continued for the following seasons.Dubbing and subtitling. This section does not any. Unsourced material may be challenged.

English Hollywood Action Movie

( August 2013) Many originally produced in, and countries are dubbed into foreign languages for release in areas such as and, especially for video games that place a heavy emphasis on dialogue. Because characters' mouth movements can be part of the game's code, is sometimes achieved by re-coding the mouth movements to match the dialogue in the new language. The automatically generates lip-sync data, making it easier for games to be localized.To achieve synchronization when animations are intended only for the source language, localized content is mostly recorded using techniques borrowed from movie dubbing (such as rythmo band) or, when images are not available, localized dubbing is done using source audios as a reference. Sound-synch is a method where localized audios are recorded matching the length and internal pauses of the source content.For the European version of a video game, the on-screen text of the game is available in various languages and, in many cases, the dialogue is dubbed into each respective language, as well.The North American version of any game is always available in, with translated text and dubbed dialogue, if necessary, in other languages, especially if the North American version of the game contains the same data as the European version.

Several Japanese games, such as those in the, and series, are released with both the original Japanese audio and the English dub included.Television. This section does not any. Unsourced material may be challenged. ( August 2013) Dubbing is occasionally used on broadcasts of films that contain dialogue that the network executives or have decided to replace.

This is usually done to remove. In most cases, the original actor does not perform this duty, but an actor with a similar voice reads the changes. The results are sometimes seamless, but, in many cases, the voice of the replacement actor sounds nothing like the original performer, which becomes particularly noticeable when extensive dialogue must be replaced. Also, often easy to notice, is the sudden absence of background sounds in the movie during the dubbed dialogue. Among the films considered notorious for using substitute actors that sound very different from their theatrical counterparts are the and the film series, as shown on broadcasters such as. In the case of Smokey and the Bandit, extensive dubbing was done for the first network airing on in 1978, especially for 's character,.

The dubbing of his phrase 'sombitch' (son of a bitch) became 'scum bum,' which became a catchphrase of the time.Dubbing is commonly used in, as well. Sound generated by effects equipment such as puppets or by actors' movements on elaborate multi-level plywood sets (for example, starship bridges or other command centers) will quite often make the original character dialogue unusable. And are two prime examples where ADR is used heavily to produce usable audio.Since some anime series contain profanity, the studios recording the English dubs often re-record certain lines if a series or movie is going to be broadcast on, removing references to and as well.

Some companies will offer both an edited and an uncut version of the series on DVD, so that there is an edited script available in case the series is broadcast. Other companies also edit the full-length version of a series, meaning that even on the uncut DVD characters say things like 'Blast!'

In place of the original dialogue's profanity. English dub of is infamous for this, among many other things, with such lines as 'Bartender, more milk'.Dubbing has also been used for comedic purposes, replacing lines of dialogue to create comedies from footage that was originally another genre. Examples include the Australian shows and, re-dubbed from 1970s Australian drama and action series, respectively, the Irish show, re-dubbed from, a Polish soap opera, and, a comedic dub of the Japanese show.Dubbing into a foreign language does not always entail the deletion of the original language. In some countries, a performer may read the translated dialogue as a voice-over. This often occurs in and, where 'lektories' or 'lektors' read the translated dialogue into. In Poland, one announcer read all text.

However, this is done almost exclusively for the television and home video markets, while theatrical releases are usually subtitled. Recently, however, the number of high-quality, fully dubbed films has increased, especially for children's movies. If a quality dubbed version exists for a film, it is shown in theaters. However, some films, such as or, are shown in both dubbed and subtitled versions, varying with the time of the show. Such films are also shown on TV (although some channels drop them and do standard one-narrator translation) and VHS/DVD. In other countries, like, the voice-over technique is also used for theatrical releases.In Russia, the reading of all lines by a single person is referred to as a, and is generally found only in of films and on.

Professional copies always include at least two actors of opposite gender translating the dialogue. Some titles in Poland have been dubbed this way, too, but this method lacks public appeal, so it is very rare now.On special occasions, such as, live is often done by professionals.Pornography.

This section needs additional citations for. Unsourced material may be challenged and removed.Find sources: – ( August 2013) In the case of languages with large communities (such as, or ), a single translation may sound foreign to native speakers in a given region. Therefore, a film may be translated into a dialect of a certain language.

For example, the animated movie was translated to, (which is Mexican Spanish but avoids colloquialisms), and (although people from and noticed a strong accent from most of the characters of the Rioplatense Spanish translation). In, most media is dubbed twice: into Spanish (Spain) and Neutral Spanish.Another example is the French dubbing of The Simpsons, which has two entirely different versions for and for. The humor is very different for each audience (see ). Audiences in Quebec are generally critical of France's dubbing of The Simpsons, which they often do not find amusing.dubbing of films is generally made in accent-free, but may sound peculiar to audiences in France because of the persistence of some regionally-neutral expressions and because Quebec-French performers pronounce Anglo-Saxon names with an American accent, unlike French performers. Occasionally, budget restraints cause American films, such as the 1995 film When the Bullet Hits the Bone, to be released in France with a Quebec-French dubbing, sometimes resulting in what some members of French audiences perceive as unintentional humor.and also use different versions of dubbed films and series. Because dubbing has never been very popular in, for decades, children's films were distributed using the higher-quality Brazilian dub (unlike children's TV series, which are traditionally dubbed in European Portuguese). Only in the 1990s did dubbing begin to gain popularity in Portugal.

Became the first Disney feature film to be completely dubbed into, and subsequently all major animation films gained European-Portuguese versions. In recent releases, most Brazilian-Portuguese-dubbed classics were released with new European-Portuguese dubs, eliminating the predominance of Brazilian-Portuguese dubs in Portugal.Similarly, in the -speaking region of, cartoons are often dubbed locally by artists rather than using soundtracks produced in the.The, which includes, part of, and, share a common German-dubbed version of films and shows. Although there are some differences in German dialects, all films, shows, and series are dubbed into a single version that avoids regional variations in the German-speaking audience. Most voice actors are primarily German or Austrian.

Switzerland, which has four official languages (German, French, and ), generally uses dubbed versions made in each respective country (except for Romansh). Liechtenstein uses German-dubbed versions only.Sometimes, films are also dubbed into several (, or ), especially animated films and Disney films. They are as an additional 'special feature' to entice the audience into buying it. Popular animated films dubbed into German dialects include films (in addition to its Standard German version, every film has a particular dialect version), (+ Austrian German) and (+ Austrian German).Some live-action films or TV-series have an additional German dialect dubbing: and its sequel, (German German, Austrian German, Swiss German); and, (+ Austrian German);, (+ Austrian German), and(only Austrian German dubbing).Before, also made its own particular German version. For example, and the animated series were dubbed in as well as East Germany.Usually, there are two dubbings produced in:. Serbian for, and; Croatian for and parts of.Criticism.

This section does not any. Unsourced material may be challenged. ( September 2017) While the voice actors involved usually bear the brunt of criticisms towards poor dubbing, other factors may include inaccurate script translation and poor.

Dialogue typically contains speech patterns and sentence structure that are natural to the original language but would appear awkward if translated literally. English dubs of Japanese animation, for example, must rewrite the dialogue so that it flows smoothly while following the natural pattern of English speech. On some occasions, voice actors record their dialogue individually instead of with the rest of the cast, and their performances can lack the dynamics gained from performing as a group.

Many movies from that were imported under the unofficial banner were notorious for seemingly careless dubbing that included poor lip sync and awkward dialogue. Since the results were frequently unintentionally humorous, it has become one of the hallmarks that endear these films to fans of the 1980s culture.References.